Kalama Sutta

Kalama Sutta

Wednesday, February 20, 2008

Tantra

The last innovation was less philosophical and far more practical: Tantra. Tantra refers to certain writings which are concerned, not with philosophical niceties, but with the basic how-to of enlightenment, and not just with enlightenment in several rebirths, but enlightenment here-and-now!
In order to accomplish this feat, dramatic methods are needed, ones which, to the uninitiated, may seem rather bizarre. Tantra was the domain of the siddhu, the adept -- someone who knows the secrets, a magician in the ways of enlightenment. Tantra involves the use of various techniques, including the well-known mandalas, mantras, and mudras. mandalas are paintings or other representations of higher awareness, usually in the form of a circular pattern of images, which may provide the focus of one-pointed meditation. Mantras are words or phrases that serve the same purpose, such as the famous "Om mani padme hum." Mudras are hand positions that symbolize certain qualities of enlightenment.
Less well known are the yidams. A yidam is the image of a god or goddess or other spiritual being, either physically represented or, more commonly, imagined clearly in the mind's eye. Again, these represent archetypal qualities of enlightenment, and one-pointed meditation on these complex images lead the adept to his or her goal.
These ideas would have enormous impact on Mahayana. They are not without critics, however: Madhyamaka is sometimes criticized as word-play, and Yogachara is criticized as reintroducing atman, eternal soul or essence, to Buddhism. Tantra has been most often criticized, especially for its emphasis on secret methods and strong devotion to a guru. Nevertheless, these innovations led to a renewed flurry of activity in the first half of the first millenium, and provided the foundation for the kinds of Buddhism we find in China, Tibet, Japan, Korea, Vietnam, and elsewhere in east Asia.

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